#NewRelease and GIVEAWAY: On Solid Ground: The Jo Harper Collection Vol. II

Looking back, especially when you reach a certain age, time is more weirdly mercurial than ever. A year passes quickly, its fleeting months scattered like seed to the wind, but paradoxically the days were long and sometimes interminable.

Or it can be the other way around. Days fly by with busywork and odds and ends, but you wake up to think, My God! It’s still only February.

Sometimes it’s all slow. Or all fast.

More than a year has passed since “Waiting for a Comet,” the first Jo Harper story made its debut, and nearly twelve months now since Jo’s first four adventures were collected. Since then, four more stories have appeared from Painted Pony Press, a complete unpublished tale waits in the wings, an Early Days of Abby Drake story will appear this fall in an anthology of stories, and the audio version of “Waiting for a Comet” will be ready for the holidays.

It’s all been a dazzling roll through the calendar, and a thundering 2016 looks to be close at hand.

Time, for Jo and Frog, while filled with more adventure, passes more slowly. She turned 13 this year, and Frog turned 11. They might stay at that age for a while. Or they might not – I honestly didn’t intend for them to have birthdays. It just happened.

And for me, that’s an example of the most exciting aspect of writing Jo Harper. Nothing has been planned. For the first time in my experience writing fiction, I have a body of work that was not outlined, not pre-figured. Each of these stories found me sitting down, writing into the dark. When you read the first chapter and don’t know what’s going to happen next, rest assured that I didn’t either.

Jo Harper has put a lot of fun back into my writing. I hope this second volume of stories does the same for your reading.

Blurb:

Jo Harper rides the range again with Frog Beemer, Constable Abby Drake, McGee the dog, and a host of no good owlhoots. If you love rollicking old-fashioned adventure, grab this second volume of four novella-length stories.

In 1911, when trouble comes to Willowby, Wyoming, thirteen year-old Deputy Constable Jo Harper is usually on top of it. But trouble has a way of following Jo, and strangers aren't always what they seem.

When old friends prove to be enemies, and enemies might be friends, Jo relies on all her wits to seek justice.

And sometimes just to stay alive!

Jo Harper rides the range again with Frog Beemer, Constable Abby Drake, McGee the dog, and a host of no good owlhoots. If you love rollicking old-fashioned adventure, grab this second volume of four novella-length stories.

Richard Prosch's series about young Jo Harper and her friends, set in early 20th century Wyoming, just keeps getting better and better. — James J. Griffin, author of the Lone Star Ranger series

A part Mark Twain, part Rooster Cogburn, a dose of H.G. Wells... —Wayne D. Dundee

Please leave a comment below for a chance to win a free digital copy!

BUY LINKS       Barnes and Noble Nook        Smashwords         Kobo

Fabulous Five: Five novels for Middle Grade Readers -- Boxed Set Only 99 Cents

THE PHANTOM RANGER AND THE SKATEBOARD GANG—James And Livia Reasoner

The Texas Rangers’ job is to protect, so when Ranger Jackson’s great-great-great granddaughter needs help, he reports for duty! But how can Codi explain her ancestor’s ghost to her history project partner—and her dad?

Waiting For a Comet (Jo Harper Book 1)—Richard Prosch

Halley’s Comet brings a surprise Jo Harper never expected! Action, humor, and real life history combine for an exciting mystery about one girl’s summertime quest for family, friendship, and justice on the windburnt Wyoming range at the dawn of a new century.

Racing a Dog Star (Jo Harper Book 2)—Richard Prosch

Flung headlong into the Dog Days of summer by multiple mysteries that may or may not be related, Jo Harper and Frog Carpenter face them together and solve them! In this sequel to WAITING FOR A COMET, Jo, Frog and sure-shootin' lady Constable Abby Drake return for another visit to the exciting town of Willowby, Wyoming in the hot, dry summer of 1910.

The Apache and the Pale Face Soldiers (The Saga of Indian Em’ly Book 1)—Sara Barnard

With no one to lean on but each other and the fragile balance between the Apache and the soldiers irreparably upset, an Indian war begins. Knocks Down and Cactus Flower must make their way as children of The People, the Comanche,  in the pale face world – pale faces who have now become the enemy.

On the Colorado Trail (The Saga of Indian Em’ly Book 2)—Sara Barnard

After a dangerous failed attempt at escape by Knocks Down and his sister that leaves Cactus Flower injured, can Knocks Down bring himself to trust the soldier, Pale Face Joe? His life depends on it, and his little sister's does, as well!

Now Available

#NewRelease -- Six-Gun Salad by Richard Prosch -- #FreeGiveaway

It's double-barreled excitement from Painted Pony Books with the release of the latest story in Richard Prosch's critically acclaimed Jo Harper series, SIX-GUN SALAD, as well as a free book promotion for the first story, WAITING FOR A COMET, from August 11 through August 14.

Blurb

Would you cry over spilled potato salad? Would you risk your life for it? Jo Harper can't contain her frustration when a determined Danish lawyer and a hard-headed German farmer get ready to square off with guns over just that.

But things are more than they seem, and an old-world grudge means Jo has less than 48 hours to stop certain violence between these two!

It's an Elizabethan tragedy-in-the-making unless Jo, Frog and Abby can unravel the threads of a dangerous plot that threatens to tear apart not just two families, but the entire town of Willowby, Wyoming.

Excerpt

    Having roped a goat, knocked down three dolls with a rubber ball, pitched horseshoes, and guzzled a lemon soda, Jo Harper wiped a bead of sweat from her forehead.
     Happy cries, laughter, and shouts came from voices of every age, carried on the ever-present Wyoming summer wind, and the mouth-watering smells of grilled sausages and warm rhubarb pie weren't far behind. A passel of boys played baseball to her left.
    Directly behind the church, girls skipped rope.
    A loud clank to her right signaled a new game of horseshoes was underway. It looked like everybody in the community was at the picnic, and there was no way Jo could stay still any longer.
    She was ready for her next adventure.

Buy Links     Barnes and Noble Nook      Smashwords     Kobo

Don't miss the first book in this great series, WAITING FOR A COMET, which is now free for the Kindle through August 14!

An Interview with Cheryl Pierson

by Richard Prosch

Along with her award-winning western romance and contemporary fiction,
Oklahoma native Cheryl Pierson wrote a slam-bang young reader western
trilogy. Red Eagle's War, Red Eagle's Revenge and Texas Forever make up
the Texas Legacy trilogy, now available from Painted Pony Books. Having
just finished the first book, and with the next two waiting on my
Kindle, I thought I'd take some time and visit with Cheryl about Will
Green's story.

Early in the first book, Jacobi Kane rescues Will Green from Red Eagle's
Apaches.  Did you do any historical research for those scenes? 

Being born and raised in Oklahoma, I have grown up with the different tribes—museums, artifacts, stories, legends, and so on. One of the greatest Apaches ever, Geronimo, is buried here in Oklahoma at Ft. Sill—which is down in the southwestern part of the state in the Wichita Mountains. Going down into that part of the country, which is (ironically) in Comanche County, has proven to be a great source of knowledge for me just for the terrain of the land—which is quite different than the part of Oklahoma I grew up in (central) and where my relatives were from in the southeastern part of the state, as well. Apaches were not considered one of the five “civilized” tribes…there’s a reason for that, as Will discovered.

Why Texas?

Everything I write is set in Oklahoma or Texas. This story starts out in Indian Territory, not far from the region I was telling you about. Red Eagle is headed back to his “home” territory, closer to the border of Texas and present-day Oklahoma when Jacobi rescues Will. Jacobi heads back to Texas with Will, to try to get to Fort Worth, a town of some size—where he might be able to find a place for Will or contact any family he might have left somewhere.  Texas is a natural setting for me, as well, since many of my ancestors came from there.

What can you tell us about the change in titles?

Those titles were changed when we brought the trilogy over to Painted Pony Books from another publishing company and made some revisions in the text. Also, I discovered that those “Kane” titles weren’t working to draw in younger readers—most everyone who bought those books seemed to be adults—which I was very happy about—but wanted the younger readers to be drawn to them as well.

Even though they're killed off-screen, before the story begins, Will's
father, Robert Green becomes a character unto himself with the many
words of wisdom he imparts to Will.  How much does Will's family reflect
your own?

Will’s father is a very harsh man. He has some regrets, which we discover through Will’s thoughts as the books progress, until his final understanding, or at least the fact that he is beginning to come to terms with it in TEXAS FOREVER. My dad and I were very close—not at all like Will and his father—but there were a lot of things I didn’t understand until I got older, and matured a little bit.

While not as violent as some books, there are a couple of tough scenes in
the first book. Did you have any second thoughts about how far to go or
did you follow the story where it necessarily led?

You know, I tried to write those books with the idea that, like most of my writing, I wanted it to be realistic—but not TOO graphic for that age group. I wanted the reader to know that Will (and Jacobi) both suffered, and that has to be shown—not just told about. Will is as real as I could make him—he uses some rough language for his age in a place or two, but who wouldn’t, after what he’d been through? And the violence—that’s how the west was in those days—but I don’t think it’s too much for YA readers, especially by today’s standards.

What would you like to see more of (or less of) in young reader/young
adult westerns?

Encouragement by teachers and parents. When you think about it, today’s kids that would fall into this age bracket were not even alive when 9/11 happened. If parents and teachers don’t try to interest their kids in reading historical fiction, eventually it will all become a thing of the past. Love of history has to be encouraged when kids are young. 

I think Painted Pony Books has gotten a great start on this by providing some excellent stories for young readers of all ages—your Jo Harper series, Jim Griffin’s “Ranger” series,  Sara Barnard’s “Indian Em’ly” series for middle grade readers, and some excellent books that aren’t series at all, such as Frank Roderus’s “Duster” and Livia and James Reasoner’s story Mockingbird and Big Earl.

 
Will there be more books about Will Green?

I’d love to write more stories about Will! I can’t say too much since you haven’t finished the 3^rd one, but there are tons of unresolved issues that he can do nothing about until he’s a little older. So I’m hoping that I will be able to sit down and write “the rest of the story” soon!

Thanks so much for this interview, Rich! I appreciate it. During this Memorial Day weekend, I would like to give away one complete set of the TEXAS LEGACY trilogy to one lucky commenter. Just leave a comment for me and your e-mail address!

Behind Redbuds and Bullets

I read Great Expectations for the first time when I was a freshman in high school. My English teacher, Nancy Brooks, who routinely channeled Eve Arden (Our Miss Brooks) in fictional name and temperament did a great job bringing the characters to life for us, and the weird relationship between Pip, Estella, and Miss Havisham haunts me to this day.

Jo Harper read Great Expectations in 1911, and this fact was the only thing I had to go on when I started writing her sixth adventure. I didn't know it would involve uprooting Jo for the first time, flinging her across the midwest on a tumultuous train ride, pitting her against dangerous adversaries in a gritty urban environment, and ultimately involving an old character who just wouldn’t stay out of the picture. It was exactly the kind of writing experience a writer dreams about --sitting down without a clue and letting the story tell itself.

Redbuds have always been sort of symbolic to Missouri. I had never seen the small trees before visiting Gina there in 1986. Blossoming purple in spring, they are ubiquitous and one of the few flowering trees that doesn't cause my son to immediately start sneezing. Not so for everybody. Like the bullets in the title, the little flowers look innocent enough but can pack quite a punch for some.

So after putting the Dickens novel in her hands, I knew Jo had to end up in Missouri. But what could make a headstrong girl, one tied firmly to her Wyoming roots, leave her friends?  In Jo's case, only a sense of family duty.

And with that, I was off and typing.

Redbuds and Bullets takes a few chances that previous Jo Harper adventures don't take. The story puts Jo more alone than ever before. It tests her metal away from the humorous distractions of Frog or the tough security of Abby Drake. Not only that, but the fate of strangers is directly under Jo's control. It's not a responsibility she takes lightly.

Finally, if you're familiar with Great Expectations, I'll invite you to compare and contrast it with Redbuds and Bullets. Find the similarities, the differences, and see if you can recognize a couple Dickensian Easter eggs. Some were intentional, but some surprised me even as they poured into the keyboard.

That's the kind of fun that keeps writing Jo Harper stories fresh for me. I'd like you to come along for the ride!

After growing up on a Nebraska farm, Richard Prosch worked as a professional writer, artist, and teacher in Wyoming, South Carolina, and Missouri. His western crime fiction captures the fleeting history and lonely frontier stories of his youth where characters aren’t always what they seem, and the windburned landscapes are filled with swift, deadly danger. Read more at www.RichardProsch.com

All Ages by Richard Prosch

What does the title of this post mean to you? What do you think when a book is listed as all ages?

I have to admit, for me it means it's a young adult or kids’ book. I don't know when that idea first took hold, but as a reader it's rock solid in my head. 

And I should know better. 

There are scores of books I read as a kid that were written for adults, books that are --in fact-- good for all ages. Great Expectations, 1984, Hondo, and The Martian Chronicles were all written for adults. But you could read them as a kid. 

I didn't need an adult to tell me what was appropriate. If I could understand the prose, I read it. From The War of The Worlds and Dracula to The Black Stallion and The Hardy Boys, I didn't care who the intended audience was. I read it.

As writers, do you think we get too hung up on that intended audience?

Isn't it something every agent and/or publisher starts telling us from the get-go? Where does your book fit on the shelf?  Imagine the spines of the books next to yours. Who's the target audience?

I sure do understand the necessity of listing a book correctly when it comes to the marketing. 

But here I’m talking about how we think as writers. Before the marketing must come the story. We shouldn’t write to market. We should write to tell a good story.

Thinking about a couple literary greats: if The Catcher in the Rye or To Kill a Mockingbird were published today, would they be listed in the catalog with the other adult material?  Or would they be labeled as young adult?  

I think they'd end up with the latter. 

Sadly, to list something today as adult fiction it's almost a given that there are potentially objectionable scenes or dialog inside. In other words, it's the sex and violence that make something adult.

The thing is, once somebody can read, I think it's more important to converse than to censor. Talk about the content instead of blocking it.

I'm here to tell you. In 1976, if somebody would've told my mom that Raymond Chandler or Isaac Asimov were adult books, those books would've been off my shelf pronto. 

But nobody told her. And I sure wasn't going to break the news.

So whenever somebody asks me what I write, I answer like a storyteller first. 

No matter the story's content, I write for all ages.

After growing up on a Nebraska farm, Richard Prosch worked as a professional writer, artist, and teacher in Wyoming, South Carolina, and Missouri. His western crime fiction captures the fleeting history and lonely frontier stories of his youth where characters aren’t always what they seem, and the windburned landscapes are filled with swift, deadly danger. Read more at www.RichardProsch.com